Marta Rodriguez Maleck

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<channel>
	<title>Marta Rodriguez Maleck</title>
	<link>https://martarodriguezmaleck.com</link>
	<description>Marta Rodriguez Maleck</description>
	<pubDate>Wed, 10 Jun 2026 05:01:54 +0000</pubDate>
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		<title>Blankets for the Future</title>
				
		<link>https://martarodriguezmaleck.com/Blankets-for-the-Future</link>

		<pubDate>Mon, 08 Jun 2026 19:36:31 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/Blankets-for-the-Future</guid>

		<description>
	Blankets for the Future
	Blankets for the Future is a series of sculptural blankets made from seeds native to the Gulf South — acorns from live oak, water oak, and overcup oak, and the clinging burrs of cocklebur — joined with brass into suspended, lattice-like fields. Arranged in repeating clusters, the works draw on quilting as a structure of protection, echoing the interwoven root systems and seed-dispersal strategies of flood-adapted species that hold disappearing ground together against erosion. The series situates seeds as tools for memory, survival, and repair within a landscape shaped by ongoing transformation.


		&#60;img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/9c3f16f1ae38861df7071cc2525d0da832cf34f7e6e49c6eb69fc620a3e2d0b4/Marta.Mehle.April2026-09.small.jpg" data-mid="249259920" border="0"  src="https://freight.cargo.site/w/1000/i/9c3f16f1ae38861df7071cc2525d0da832cf34f7e6e49c6eb69fc620a3e2d0b4/Marta.Mehle.April2026-09.small.jpg" /&#62;Lay Me Down Before Water Knocks at the Door (Acorn Quilt), 2026Water oak, Southern live oak, and overcup oak acorns, brass77 × 92 × 1 inches

		&#60;img width="1668" height="2500" width_o="1668" height_o="2500" data-src="https://freight.cargo.site/t/original/i/fd0bc482df3a396f8d1be6ad2fd7399e35833e587adc43a5f1d09117e38f1026/07.jpg" data-mid="249259931" border="0"  src="https://freight.cargo.site/w/1000/i/fd0bc482df3a396f8d1be6ad2fd7399e35833e587adc43a5f1d09117e38f1026/07.jpg" /&#62;Lay Me Down Before Water Knocks at the Door (Cocklebur Quilt), 2026Cocklebur seed pods, brass55 × 70 × 1 inches

	
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		&#60;img width="2000" height="2500" width_o="2000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/444371c38af96989423475363818b69f4a8335096c14eee095a7f9aed37f5200/08.jpg" data-mid="249259932" border="0"  src="https://freight.cargo.site/w/1000/i/444371c38af96989423475363818b69f4a8335096c14eee095a7f9aed37f5200/08.jpg" /&#62;
	

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	<item>
		<title>Hunting for Orchids</title>
				
		<link>https://martarodriguezmaleck.com/Hunting-for-Orchids</link>

		<pubDate>Mon, 08 Jun 2026 19:37:01 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/Hunting-for-Orchids</guid>

		<description>
	Hunting for Orchids
In 1944, Edward James, an English aristocrat and patron of Surrealism, arrived in Xilitla, Mexico. He had fled England after his wife named his homosexuality in their divorce papers. Rumor has it he met Plutarco Gastélum, "a tour guide who brought him hunting." Locals will clarify they were hunting for orchids, which had become a European craze and colonial fantasy.

They also confirm a long, secret queer relationship that led to a collaboration: Las Pozas, a surrealist garden in the jungle. As the two traveled the world, they sent inspiration back to their fabricators on photographs and postcards; fabricators who remain uncredited to this day for the moldes and concrete structures that make up Las Pozas. My interest in the story, and in the site, is how desire, extraction, and the power to name decide who is remembered.
	Hunting for Orchids (snake/cyclops/clit), 2025

Carved cherry, maple, and walnut wood; tung oil

15 × 18 × 15 inches


&#60;img width="1350" height="1259" width_o="1350" height_o="1259" data-src="https://freight.cargo.site/t/original/i/3ad32cc7ff74897883ac01b447caf47ac2ee9a7a2dfbdae4192f835d830c9202/LasPozasOrchid.jpg" data-mid="249260003" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/3ad32cc7ff74897883ac01b447caf47ac2ee9a7a2dfbdae4192f835d830c9202/LasPozasOrchid.jpg" /&#62;
Heart Molde, 2023

Poplar wood, brads, wax, concrete, confetti, blood, stain

24 × 24 × 8 inches


&#60;img width="1350" height="1281" width_o="1350" height_o="1281" data-src="https://freight.cargo.site/t/original/i/0dd51ee12ae156b7a3f7ed691e827b4248dabdd7698cd3a137c0930ac408bec6/LasPozasHeartShapedMould.jpg" data-mid="249260031" border="0"  src="https://freight.cargo.site/w/1000/i/0dd51ee12ae156b7a3f7ed691e827b4248dabdd7698cd3a137c0930ac408bec6/LasPozasHeartShapedMould.jpg" /&#62;alien / illegal / undocumented / immigrant / explorer / settler / colonizer, 2023earth, concrete, confetti, balloons, blood24 × 24 × 8 inches

&#60;img width="2000" height="1658" width_o="2000" height_o="1658" data-src="https://freight.cargo.site/t/original/i/a1865f362ba2c99e4da4849529eea83c4d20a98c2401b835a84594f05e9f4a59/skohegan5.jpg" data-mid="249262356" border="0"  src="https://freight.cargo.site/w/1000/i/a1865f362ba2c99e4da4849529eea83c4d20a98c2401b835a84594f05e9f4a59/skohegan5.jpg" /&#62;

&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/8a216de993515b6f12605b8ea0117b81b792c3d68315daac8bc3445bf6ebc618/X41A6014.JPG" data-mid="249262358" border="0"  src="https://freight.cargo.site/w/1000/i/8a216de993515b6f12605b8ea0117b81b792c3d68315daac8bc3445bf6ebc618/X41A6014.JPG" /&#62;
Next Project →
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	<item>
		<title>Sigils</title>
				
		<link>https://martarodriguezmaleck.com/Sigils</link>

		<pubDate>Mon, 08 Jun 2026 19:37:14 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/Sigils</guid>

		<description>
Sigils Work
Sigils turn like weathervanes, warning intruders and welcoming allies. Built from forged steel, brass, concrete, stone, handmade nests, and patina, the works borrow the language of symbols, talons, condor bodies, and deities. Their forms reference beings shaped through captivity and reintroduction, and gesture toward queer survival, protection, and kinship formed under constraint. As the viewer moves, letters fragment and reassemble, shifting between message, omen, and abstraction.


		All who are invited feel welcome, 2024
			Dried grasses bird nest, bronze condor talon, brass devil’s trumpet, steel, asphalt, concrete, rust
			8 feet 5 inches × 8 feet × 6 feet
		
		&#60;img width="3003" height="4500" width_o="3003" height_o="4500" data-src="https://freight.cargo.site/t/original/i/b6472a6b5f20f20136ce481537a4478d68e9ac1d51cf63cd5d29a7fbc1f60c54/sigil-sculptures.jpg" data-mid="249262716" border="0"  src="https://freight.cargo.site/w/1000/i/b6472a6b5f20f20136ce481537a4478d68e9ac1d51cf63cd5d29a7fbc1f60c54/sigil-sculptures.jpg" /&#62;
	

		&#60;img width="961" height="1440" width_o="961" height_o="1440" data-src="https://freight.cargo.site/t/original/i/de38b0d82ea4b1e341bb25236863a76b2f74e99ecb2572bb653e7a7a2fdb6271/03.jpeg" data-mid="249262745" border="0"  src="https://freight.cargo.site/w/961/i/de38b0d82ea4b1e341bb25236863a76b2f74e99ecb2572bb653e7a7a2fdb6271/03.jpeg" /&#62;
	

		&#60;img width="961" height="1440" width_o="961" height_o="1440" data-src="https://freight.cargo.site/t/original/i/0ec4727cccb8a2f481a691030f3db58d00ab4cae05140f3142690fe2bccf44b1/02.jpeg" data-mid="249262800" border="0"  src="https://freight.cargo.site/w/961/i/0ec4727cccb8a2f481a691030f3db58d00ab4cae05140f3142690fe2bccf44b1/02.jpeg" /&#62;
	

we are exactly where we are supposed to be, 2024
			Brass condor beak, steel, concrete, rust, found tripod
			7 feet 6 inches × 4 feet × 4 feet
		
		&#60;img width="961" height="1440" width_o="961" height_o="1440" data-src="https://freight.cargo.site/t/original/i/0e800a3e336fe2967b48497adf6ceb7506a8c9cf9602e55e86753dcc662560d3/05.jpeg" data-mid="249263164" border="0"  src="https://freight.cargo.site/w/961/i/0e800a3e336fe2967b48497adf6ceb7506a8c9cf9602e55e86753dcc662560d3/05.jpeg" /&#62;
	

		&#60;img width="1050" height="1573" width_o="1050" height_o="1573" data-src="https://freight.cargo.site/t/original/i/e6bc49f1e431fe44bb94d4f7b5a19559412afbc763f9c5a61700ec54e09ed06a/CondorMotherandChild.jpg" data-mid="249262747" border="0"  src="https://freight.cargo.site/w/1000/i/e6bc49f1e431fe44bb94d4f7b5a19559412afbc763f9c5a61700ec54e09ed06a/CondorMotherandChild.jpg" /&#62;
	

		&#60;img width="968" height="1440" width_o="968" height_o="1440" data-src="https://freight.cargo.site/t/original/i/db525db0cb249dedcabe85e09130b311ce7f52d9d44ce5cbb9488d42db054bdb/07.jpeg" data-mid="249263165" border="0"  src="https://freight.cargo.site/w/968/i/db525db0cb249dedcabe85e09130b311ce7f52d9d44ce5cbb9488d42db054bdb/07.jpeg" /&#62;
	

Winged Familiar, 2025
			Cast bronze, hand-cut brass wings, moving armature, ocean stone with iron patina
			12 × 10 × 8 inches
		
		&#60;img width="3017" height="2000" width_o="3017" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a647be387f54cacf0e4f72b2da7e98826b0dcf01863d28e6707feae132c5b209/DSC_0533.jpg" data-mid="249262798" border="0"  src="https://freight.cargo.site/w/1000/i/a647be387f54cacf0e4f72b2da7e98826b0dcf01863d28e6707feae132c5b209/DSC_0533.jpg" /&#62;
	

		&#60;img width="3017" height="2000" width_o="3017" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f31e273fd9f4cbfdaf25223edd35138c0dfd03cf28f26f271dbd9f0914dd0b98/DSC_0529.jpg" data-mid="249262799" border="0"  src="https://freight.cargo.site/w/1000/i/f31e273fd9f4cbfdaf25223edd35138c0dfd03cf28f26f271dbd9f0914dd0b98/DSC_0529.jpg" /&#62;
	

cookie Lucifer, 2025
			Cast bronze, forged steel, brass wings, paper clay, ocean stone carrying iron patina
			23 × 10 × 9 inches
		
		&#60;img width="1325" height="2000" width_o="1325" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1af9b3448f001d89a8b1db1c2ba55bd602f88302e14e57b11f6eb0e91f00aa8a/DSC_0490.jpg" data-mid="249262793" border="0"  src="https://freight.cargo.site/w/1000/i/1af9b3448f001d89a8b1db1c2ba55bd602f88302e14e57b11f6eb0e91f00aa8a/DSC_0490.jpg" /&#62;
	

Condor genesis, 2024
			Steel
			24 × 14 × 8 inches
			Image: EFA Project Space, Manhattan, NY
		
		&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/5f9b7f3c25e3bfe4beb08e8f605705fc4ad215d664c846bc889596f7bb831f2f/3headedcondor.jpg" data-mid="249262746" border="0"  src="https://freight.cargo.site/w/667/i/5f9b7f3c25e3bfe4beb08e8f605705fc4ad215d664c846bc889596f7bb831f2f/3headedcondor.jpg" /&#62;
	

Cookie Lucifer’s Wings, 2024
			Steel
			36 × 56 × 50 inches
			Image: EFA Project Space, Manhattan, NY
		
		&#60;img width="2500" height="2939" width_o="2500" height_o="2939" data-src="https://freight.cargo.site/t/original/i/8c64d538c3b4da971d9624199d766d3cf70846f90b8a8beeef0c5ca6e4e1156d/cookie-s-Wings-copy.jpg" data-mid="249262748" border="0"  src="https://freight.cargo.site/w/1000/i/8c64d538c3b4da971d9624199d766d3cf70846f90b8a8beeef0c5ca6e4e1156d/cookie-s-Wings-copy.jpg" /&#62;
	

		→
	

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	<item>
		<title>Tools of Resistence</title>
				
		<link>https://martarodriguezmaleck.com/Tools-of-Resistence</link>

		<pubDate>Mon, 08 Jun 2026 19:51:42 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/Tools-of-Resistence</guid>

		<description>
	Tools of Resistance

Tools of Resistance is a series of interactive audio sculptures made from interviews with organizers, cultural workers, and advocates whose lives connect resistance to memory, land, law, culture, and collective care. Each sculpture holds a recorded conversation inside an object. Headphones invite viewers to listen while materials such as library cards, flowers, cassette tapes, and collection buckets. Handwritten questions become physical extensions of the stories being told.

The series asks how resistance is preserved, practiced, and passed on.
	Tools of Resistance: Pat Bryant, 2022Mixed media sculpture with audio interview

This work centers on a recreated library card referencing Pat Bryant’s father becoming the first Black person to integrate the Smithfield, North Carolina Public Library. Headphones play excerpts from an interview with Bryant on organizing, history, and cultural change.

The recreation of Bryant’s father’s lost library card was made through research in the State Archives of North Carolina, with guidance from members of the Black Caucus of the American Library Association.&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/bd4133a76ba9a6da60b61e1dfce4eb9a26f213d1d28a683ce7f94b5cf2495c1b/IMG_7429.JPG" data-mid="249263750" border="0"  src="https://freight.cargo.site/w/1000/i/bd4133a76ba9a6da60b61e1dfce4eb9a26f213d1d28a683ce7f94b5cf2495c1b/IMG_7429.JPG" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/b87223464360d6e0e1372e07887e97580ef4bcd7455447d527bcaedc5c846f40/IMG_7422.JPG" data-mid="249263749" border="0"  src="https://freight.cargo.site/w/1000/i/b87223464360d6e0e1372e07887e97580ef4bcd7455447d527bcaedc5c846f40/IMG_7422.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/9bab93839feca096fbcb695bee1baa56701281842d35cf1540dec8ae125539e5/IMG_7444.JPG" data-mid="249263751" border="0"  src="https://freight.cargo.site/w/1000/i/9bab93839feca096fbcb695bee1baa56701281842d35cf1540dec8ae125539e5/IMG_7444.JPG" /&#62;

Tools of Resistance: Mariah Moore, 2022Mixed media sculpture with audio interview

This work uses shared land and flowers as symbols of care, inheritance, and housing justice, inspired by Mariah Moore’s work founding House of Tulip, a Community Land Trust creating housing solutions for transgender and gender nonconforming people in Louisiana. Headphones play excerpts from an interview with Moore on land ownership, community care, and collective futures.

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/1cc9c97b8515f236d52c4b86177e064aa6aa8b1a9d40894649dc6ebb08324bf0/IMG_7452.JPG" data-mid="249263752" border="0"  src="https://freight.cargo.site/w/1000/i/1cc9c97b8515f236d52c4b86177e064aa6aa8b1a9d40894649dc6ebb08324bf0/IMG_7452.JPG" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/098d244bb371d2e90e2f391de29342bdff46d09441dda206da716f5320efc061/IMG_7464.JPG" data-mid="249263753" border="0"  src="https://freight.cargo.site/w/1000/i/098d244bb371d2e90e2f391de29342bdff46d09441dda206da716f5320efc061/IMG_7464.JPG" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/e1514ca4a9a7354fadcab78b8df49628c3e75cfa9070e365094facb34f310ee1/IMG_7460.JPG" data-mid="249263754" border="0"  src="https://freight.cargo.site/w/1000/i/e1514ca4a9a7354fadcab78b8df49628c3e75cfa9070e365094facb34f310ee1/IMG_7460.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d622e0bf8ac94031f9fdaf43b5ff2dd4c51a720fd9ddb9a67e7632fb44ae5d71/IMG_7459.JPG" data-mid="249263755" border="0"  src="https://freight.cargo.site/w/1000/i/d622e0bf8ac94031f9fdaf43b5ff2dd4c51a720fd9ddb9a67e7632fb44ae5d71/IMG_7459.JPG" /&#62;

Tools of Resistance: Ernest Jones, 2022Mixed media sculpture with audio interview

This work references evidence and language as tools used by civil rights attorney Ernest Jones in defending Black liberation organizers in New Orleans. Headphones play excerpts from an interview with Jones on law, resistance, and using systems of power to protect oppressed communities.
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/61869c0e358af0c2f7fcac3d36c2f98a6c99f8e3ed9fef356cf8b75210ce886e/IMG_7466.JPG" data-mid="249263757" border="0"  src="https://freight.cargo.site/w/1000/i/61869c0e358af0c2f7fcac3d36c2f98a6c99f8e3ed9fef356cf8b75210ce886e/IMG_7466.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/aa7ef8ab1822a46bb929bc97c200cb267803e0f155e63c59a3119dfec99bfdd4/IMG_7467.JPG" data-mid="249263758" border="0"  src="https://freight.cargo.site/w/1000/i/aa7ef8ab1822a46bb929bc97c200cb267803e0f155e63c59a3119dfec99bfdd4/IMG_7467.JPG" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ba6f3dd3213b573e6c24bc9e70e1877fb60761cdfad105dd7505a723ae2f34cd/IMG_7473.JPG" data-mid="249263756" border="0"  src="https://freight.cargo.site/w/1000/i/ba6f3dd3213b573e6c24bc9e70e1877fb60761cdfad105dd7505a723ae2f34cd/IMG_7473.JPG" /&#62;&#60;img width="608" height="686" width_o="608" height_o="686" data-src="https://freight.cargo.site/t/original/i/8f5dce491a36e265357a6520053e2e026ff63bd7619855b57ca3048f71e22736/Screenshot-2026-06-08-at-11.52.05PM.png" data-mid="249264166" border="0"  src="https://freight.cargo.site/w/608/i/8f5dce491a36e265357a6520053e2e026ff63bd7619855b57ca3048f71e22736/Screenshot-2026-06-08-at-11.52.05PM.png" /&#62;
Tools of Resistance: Anne Rolfes, 2022Mixed media sculpture with audio interview

This work focuses on the bucket, an accessible air-testing tool used by residents to collect air samples near refineries and chemical plants. Connected to Anne Rolfes’s work with the Louisiana Bucket Brigade, the sculpture considers how communities transform lived experience into evidence they can use to understand, document, and challenge toxic pollution.

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/053fc9e9ef834d0733100a13f9804436f6fd32f8f32fe323b139abd1773fb7e2/IMG_7480.JPG" data-mid="249263760" border="0"  src="https://freight.cargo.site/w/1000/i/053fc9e9ef834d0733100a13f9804436f6fd32f8f32fe323b139abd1773fb7e2/IMG_7480.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/95133403a38573ff5a87a670f3062098e2b71744ebfdabeeda6cd6f68498c480/IMG_7479.JPG" data-mid="249263761" border="0"  src="https://freight.cargo.site/w/1000/i/95133403a38573ff5a87a670f3062098e2b71744ebfdabeeda6cd6f68498c480/IMG_7479.JPG" /&#62;
Next Project →


</description>
		
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	<item>
		<title>Underfoot</title>
				
		<link>https://martarodriguezmaleck.com/Underfoot</link>

		<pubDate>Mon, 08 Jun 2026 19:37:47 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/Underfoot</guid>

		<description>
	Underfoot
Performance, public intervention, and photographic installation

Underfoot gathers photographs from public actions made close to the ground. At civic, carceral, and communal sites, I knelt into sidewalks, streets, and broken patches of earth, pressing short questions into concrete and soil.

The project began as a participatory performance at Solitary Gardens’ Grief Garden dedicated to Herman Wallace of the Angola 3, who often said, “morality and legality do not shake hands.” Together, participants read from the garden’s library and posed a new question as a permanent installation:

“where do morality and legality diverge?”

The work expanded into the streets through temporary inscriptions placed in potholes outside the New Orleans Municipal Court and the Orleans Parish jail entrance. Repeating the phrase “and diverge…” in broken pavement, the question moved from a space of grief and gathering into sites where law, punishment, and public life meet.

The marks are positioned to be stepped over. Through photographic clusters, Underfoot holds these temporary inscriptions as evidence of attention and refusal.
	&#60;img width="2036" height="1086" width_o="2036" height_o="1086" data-src="https://freight.cargo.site/t/original/i/82e5053a8eb55fe36e1043a75f2dc504f8c1d420132cc82f022475978d03c606/Screenshot-2026-06-08-at-11.01.19PM.png" data-mid="249263904" border="0"  src="https://freight.cargo.site/w/1000/i/82e5053a8eb55fe36e1043a75f2dc504f8c1d420132cc82f022475978d03c606/Screenshot-2026-06-08-at-11.01.19PM.png" /&#62;
&#60;img width="2414" height="1270" width_o="2414" height_o="1270" data-src="https://freight.cargo.site/t/original/i/0596eaab5d8e83d2d5cca68e8597e77b63e43e780467cd51d11d98786503d08c/2-mix-concrete.png" data-mid="249263942" border="0"  src="https://freight.cargo.site/w/1000/i/0596eaab5d8e83d2d5cca68e8597e77b63e43e780467cd51d11d98786503d08c/2-mix-concrete.png" /&#62;&#60;img width="2416" height="1272" width_o="2416" height_o="1272" data-src="https://freight.cargo.site/t/original/i/b0add84ade30bf2abe34656d4a993dbe913bb1088cec0d75d6bd1600788c086e/3-lay-concrete.png" data-mid="249263943" border="0"  src="https://freight.cargo.site/w/1000/i/b0add84ade30bf2abe34656d4a993dbe913bb1088cec0d75d6bd1600788c086e/3-lay-concrete.png" /&#62;&#60;img width="2414" height="1266" width_o="2414" height_o="1266" data-src="https://freight.cargo.site/t/original/i/e45985a04ded5959026d55dd4b6c31dad2a4fb2c6781206f6516ba99290d843e/6-fin.png" data-mid="249263946" border="0"  src="https://freight.cargo.site/w/1000/i/e45985a04ded5959026d55dd4b6c31dad2a4fb2c6781206f6516ba99290d843e/6-fin.png" /&#62;Orleans Parish Criminal District Court 
&#60;img width="2414" height="1274" width_o="2414" height_o="1274" data-src="https://freight.cargo.site/t/original/i/6929ef425a173026c444e0f75b968b050214eb642b8d97c61c9e3c8bec784d22/3lay-concrete.png" data-mid="249263949" border="0"  src="https://freight.cargo.site/w/1000/i/6929ef425a173026c444e0f75b968b050214eb642b8d97c61c9e3c8bec784d22/3lay-concrete.png" /&#62;&#60;img width="2418" height="1270" width_o="2418" height_o="1270" data-src="https://freight.cargo.site/t/original/i/00f2ab38807bb606c9d9406ae92a8086b798b1e2b25a7f4152183755f10b9d56/4cops-interupt.png" data-mid="249263950" border="0"  src="https://freight.cargo.site/w/1000/i/00f2ab38807bb606c9d9406ae92a8086b798b1e2b25a7f4152183755f10b9d56/4cops-interupt.png" /&#62;&#60;img width="2422" height="1276" width_o="2422" height_o="1276" data-src="https://freight.cargo.site/t/original/i/e12d15206926e23135ebfe85f5d660abebe64c2024f726ea45910885af8504b7/5lay-more-concrete.png" data-mid="249263951" border="0"  src="https://freight.cargo.site/w/1000/i/e12d15206926e23135ebfe85f5d660abebe64c2024f726ea45910885af8504b7/5lay-more-concrete.png" /&#62;
&#60;img width="2420" height="1272" width_o="2420" height_o="1272" data-src="https://freight.cargo.site/t/original/i/f6677594f78f004ab0203032a1983322c396945cd1c5616b8b033c059b62985c/insert-letters.png" data-mid="249263953" border="0"  src="https://freight.cargo.site/w/1000/i/f6677594f78f004ab0203032a1983322c396945cd1c5616b8b033c059b62985c/insert-letters.png" /&#62;&#60;img width="2412" height="1272" width_o="2412" height_o="1272" data-src="https://freight.cargo.site/t/original/i/ce6cf74950cfd46cd084f28640b63ad2f6cd362a5fbf75462501a00db3d1e5ed/fin.png" data-mid="249263952" border="0"  src="https://freight.cargo.site/w/1000/i/ce6cf74950cfd46cd084f28640b63ad2f6cd362a5fbf75462501a00db3d1e5ed/fin.png" /&#62;
&#60;img width="1170" height="916" width_o="1170" height_o="916" data-src="https://freight.cargo.site/t/original/i/e75e1efa590170506b72cfcd0d4edaad88e00ebc1b250e6fe0239355697c867c/Screenshot-2026-06-08-at-11.21.18PM.png" data-mid="249264001" border="0"  src="https://freight.cargo.site/w/1000/i/e75e1efa590170506b72cfcd0d4edaad88e00ebc1b250e6fe0239355697c867c/Screenshot-2026-06-08-at-11.21.18PM.png" /&#62;
‘Orleans Justice Center‘, New Orleans City Jail

&#60;img width="2420" height="1272" width_o="2420" height_o="1272" data-src="https://freight.cargo.site/t/original/i/7204026575fab5e35cea1083145448079f342cf87aba1cb7fd59b3ccad3fde82/3-mix-concrete.png" data-mid="249263955" border="0"  src="https://freight.cargo.site/w/1000/i/7204026575fab5e35cea1083145448079f342cf87aba1cb7fd59b3ccad3fde82/3-mix-concrete.png" /&#62;

&#60;img width="2410" height="1272" width_o="2410" height_o="1272" data-src="https://freight.cargo.site/t/original/i/90397049bc32e2cbd557540e9fdcec69bd4821fd09e62454ce3bc8d48845276d/1-reading.png" data-mid="249263954" border="0"  src="https://freight.cargo.site/w/1000/i/90397049bc32e2cbd557540e9fdcec69bd4821fd09e62454ce3bc8d48845276d/1-reading.png" /&#62;

&#60;img width="2752" height="1226" width_o="2752" height_o="1226" data-src="https://freight.cargo.site/t/original/i/c1ecba6f8f46304d73454a269b1e0b923d670752b338b6acfdef354ad9797502/Screenshot-2026-06-08-at-11.15.12PM.png" data-mid="249263984" border="0"  src="https://freight.cargo.site/w/1000/i/c1ecba6f8f46304d73454a269b1e0b923d670752b338b6acfdef354ad9797502/Screenshot-2026-06-08-at-11.15.12PM.png" /&#62;
&#60;img width="1064" height="850" width_o="1064" height_o="850" data-src="https://freight.cargo.site/t/original/i/b63c3fdd4a9937e41f1b715d7f1f37973f23239f3b8bbb58a5889e6afa429e91/Screenshot-2026-06-08-at-11.34.43PM.png" data-mid="249264042" border="0"  src="https://freight.cargo.site/w/1000/i/b63c3fdd4a9937e41f1b715d7f1f37973f23239f3b8bbb58a5889e6afa429e91/Screenshot-2026-06-08-at-11.34.43PM.png" /&#62;
Grief Gardens at Solitary Gardens, New Orleans
Next Project →

</description>
		
	</item>
		
		
	<item>
		<title>Morir es Vivir / Vivir es Morir</title>
				
		<link>https://martarodriguezmaleck.com/Morir-es-Vivir-Vivir-es-Morir</link>

		<pubDate>Mon, 08 Jun 2026 19:38:00 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/Morir-es-Vivir-Vivir-es-Morir</guid>

		<description>
	Morir es Vivir / Vivir es Morir 
A multi-part project made through recorded conversations with people across New Orleans about grief, loss, mortality, rebirth, healing, and hope. Presented across the New Orleans Museum of Art and the New Orleans Public Library during the Covid-19 pandemic, the work asked: what must die, institutionally, personally, relationally, or belief-wise, and what might thrive in its wake?

At NOMA, Morir es Vivir centered on a seating sculpture I built for recorded conversations with participants. Sitting with me inside the museum, people spoke about grief, death, rebirth, and the systems, beliefs, and institutions they felt needed to end. These conversations became a sound and light installation in the Great Hall. At the Main Library, Vivir es Morir became a public companion work: a sculptural listening structure with audio, zine, and space for collective reflection.

While the museum presentation was shaped by institutional limits and censorship, the library version held the work in a free, accessible civic space and allowed the censored material to return through three audio channels: the intended work, the words I fought to keep, and the words that were banned completely.

Together, the installations formed a cycle of regeneration between museum and library, grief and imagination, death and living. The project later expanded into &#38;lt;&#38;gt; &#38;lt;&#38;gt; (Morir es Vivir), a translucent vellum publication made during the 2022 Paper Machine Residency. Combining drawings, photographs, and collected language from community conversations, the book holds a collective authorship of a period of time during the pandemic, moving through inheritance, housing, labor, fossil fuels, prison, revolution, family, and imagination.
	Morir es Vivir, 2021Seating sculpture, recorded conversations, sound and light installationNew Orleans Museum of Art
&#60;img width="5270" height="3322" width_o="5270" height_o="3322" data-src="https://freight.cargo.site/t/original/i/59c90eae40e602215a52adeb57f5b37700025ac8137242c0e1dff4ce0ae6e6f2/MoriresVivirConversations_NOMA_2021.jpg" data-mid="249296451" border="0"  src="https://freight.cargo.site/w/1000/i/59c90eae40e602215a52adeb57f5b37700025ac8137242c0e1dff4ce0ae6e6f2/MoriresVivirConversations_NOMA_2021.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/0de35a9404e43372c43694cc7b5df3f6fc5dbd8fbbe117cd03e3ebe53d220145/MoriresVivir01_NOMA_2021small.jpg" data-mid="249296513" border="0"  src="https://freight.cargo.site/w/1000/i/0de35a9404e43372c43694cc7b5df3f6fc5dbd8fbbe117cd03e3ebe53d220145/MoriresVivir01_NOMA_2021small.jpg" /&#62;
Vivir es Morir, 2021Sculptural listening installation, audio, zineNew Orleans Public Library&#60;img width="1383" height="1387" width_o="1383" height_o="1387" data-src="https://freight.cargo.site/t/original/i/3ff533c08819c8142b99d4f6b6431ce4462a3896d7e42c4c2a30f09d41340c9f/Vivir-es-Morir-1.jpeg" data-mid="249296444" border="0"  src="https://freight.cargo.site/w/1000/i/3ff533c08819c8142b99d4f6b6431ce4462a3896d7e42c4c2a30f09d41340c9f/Vivir-es-Morir-1.jpeg" /&#62;&#60;img width="750" height="752" width_o="750" height_o="752" data-src="https://freight.cargo.site/t/original/i/da7832b77411b2a606aef83a3f61ed595ca5356212f7fe9ef2a11e9559c6071d/Vivir-2jpeg.jpeg" data-mid="249296445" border="0"  src="https://freight.cargo.site/w/750/i/da7832b77411b2a606aef83a3f61ed595ca5356212f7fe9ef2a11e9559c6071d/Vivir-2jpeg.jpeg" /&#62;&#38;lt;&#38;gt; &#38;lt;&#38;gt; (Morir es Vivir), 2022Publication on translucent vellum
Antenna Paper Machine Residency&#60;img width="1136" height="1308" width_o="1136" height_o="1308" data-src="https://freight.cargo.site/t/original/i/d4083b44927a357545e10e47966a299b98186994ab9f022a27767618e80742a8/Screenshot-2026-06-08-at-11.21.38PM.png" data-mid="249296425" border="0"  src="https://freight.cargo.site/w/1000/i/d4083b44927a357545e10e47966a299b98186994ab9f022a27767618e80742a8/Screenshot-2026-06-08-at-11.21.38PM.png" /&#62;
&#60;img width="1202" height="1282" width_o="1202" height_o="1282" data-src="https://freight.cargo.site/t/original/i/203a9c0c84eacbbc19bbf03621ec28964156bed1b9d566d4bb2686feddcd51e9/Screenshot-2026-06-08-at-11.21.52PM.png" data-mid="249296439" border="0"  src="https://freight.cargo.site/w/1000/i/203a9c0c84eacbbc19bbf03621ec28964156bed1b9d566d4bb2686feddcd51e9/Screenshot-2026-06-08-at-11.21.52PM.png" /&#62;
&#60;img width="834" height="818" width_o="834" height_o="818" data-src="https://freight.cargo.site/t/original/i/9360491c291744abbb9ddd5e754526cedb329ff318c40ad7f77de6fca906ee32/Screenshot-2026-06-08-at-11.20.51PM.png" data-mid="249296443" border="0"  src="https://freight.cargo.site/w/834/i/9360491c291744abbb9ddd5e754526cedb329ff318c40ad7f77de6fca906ee32/Screenshot-2026-06-08-at-11.20.51PM.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Radio, Documentary, Public media</title>
				
		<link>https://martarodriguezmaleck.com/Radio-Documentary-Public-media</link>

		<pubDate>Mon, 08 Jun 2026 19:38:12 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/Radio-Documentary-Public-media</guid>

		<description>
	
	Radio, Documentary, Public Media, 2020–present

	
	As an extension of my sculptural and performance practice, I have worked in documentary, radio, and public media to hold first-person stories, oral histories, and conversations with artists, workers, organizers, and residents of New Orleans. These works use listening as a material, carrying voices into shared spaces through film, radio broadcast, posters, monitors, and printed matter.

Across documentary shorts, radio interviews, and public screenings, this work traces how people move through crisis, labor, union organizing, grief, cultural inheritance, and collective survival.
	Nonstop, 2020Public screening installation with silkscreen poster and monitor at New Orleans Duncan Plaza bus stop

	&#60;img width="1958" height="1466" width_o="1958" height_o="1466" data-src="https://freight.cargo.site/t/original/i/622a5d26ef0a3563ad8f819f16a188edb1e56a3fcfd03fc49d902611602baae5/Screenshot-2026-06-09-at-6.32.18PM.png" data-mid="249298387" border="0"  src="https://freight.cargo.site/w/1000/i/622a5d26ef0a3563ad8f819f16a188edb1e56a3fcfd03fc49d902611602baae5/Screenshot-2026-06-09-at-6.32.18PM.png" /&#62;
	&#60;img width="1892" height="1420" width_o="1892" height_o="1420" data-src="https://freight.cargo.site/t/original/i/5ba964828e71f986b7166948e04a8167d33673478f463d6c8e8ee6e9ff292253/Screenshot-2026-06-09-at-6.32.42PM.png" data-mid="249298386" border="0"  src="https://freight.cargo.site/w/1000/i/5ba964828e71f986b7166948e04a8167d33673478f463d6c8e8ee6e9ff292253/Screenshot-2026-06-09-at-6.32.42PM.png" /&#62;
	Nonstop, 2020 &#124; Directed by marta rodriguez maleck and Zac Manuel&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7c03f8d5385a88c03269437721759b7016666083218fd70d7170cd784d792d65/NONSTOP_4.jpg" data-mid="249298380" border="0"  src="https://freight.cargo.site/w/1000/i/7c03f8d5385a88c03269437721759b7016666083218fd70d7170cd784d792d65/NONSTOP_4.jpg" /&#62;


	▷ The Only Thing Left To Do Is Start Teaser, 2020&#38;nbsp;&#124; Directed by marta rodriguez maleck and Zac Manuel
	&#60;img width="2880" height="1610" width_o="2880" height_o="1610" data-src="https://freight.cargo.site/t/original/i/d5712e4fc3f84a82e9d874b2bcda7c805f5bb58a410367779584a239c931922c/Screenshot-2026-06-09-at-6.43.44PM.png" data-mid="249298414" border="0"  src="https://freight.cargo.site/w/1000/i/d5712e4fc3f84a82e9d874b2bcda7c805f5bb58a410367779584a239c931922c/Screenshot-2026-06-09-at-6.43.44PM.png" /&#62;
	&#60;img width="2806" height="1586" width_o="2806" height_o="1586" data-src="https://freight.cargo.site/t/original/i/bfeeda6173a96ca6a6470198ad504489938e954336b65b4ed16d997a1aa944f6/Screenshot-2026-06-10-at-2.10.08AM.png" data-mid="249300599" border="0"  src="https://freight.cargo.site/w/1000/i/bfeeda6173a96ca6a6470198ad504489938e954336b65b4ed16d997a1aa944f6/Screenshot-2026-06-10-at-2.10.08AM.png" /&#62;
&#38;nbsp;
▷ On Strike for Everyone, 2020 &#124; Directed by marta rodriguez maleck
&#60;img width="2876" height="1300" width_o="2876" height_o="1300" data-src="https://freight.cargo.site/t/original/i/6cd2b99779ccd41eb0cf862cf849db1bbba910bb0ad9d63d9882d2dd17ed3ec8/Screenshot-2026-06-09-at-7.00.18PM.png" data-mid="249298422" border="0"  src="https://freight.cargo.site/w/1000/i/6cd2b99779ccd41eb0cf862cf849db1bbba910bb0ad9d63d9882d2dd17ed3ec8/Screenshot-2026-06-09-at-7.00.18PM.png" /&#62;
&#60;img width="2880" height="1306" width_o="2880" height_o="1306" data-src="https://freight.cargo.site/t/original/i/f7787ada25fd2a3cc8f7f9a7a48a486287f0111b87153d8e4d62957eeac9037e/Screenshot-2026-06-10-at-2.25.20AM.png" data-mid="249301638" border="0"  src="https://freight.cargo.site/w/1000/i/f7787ada25fd2a3cc8f7f9a7a48a486287f0111b87153d8e4d62957eeac9037e/Screenshot-2026-06-10-at-2.25.20AM.png" /&#62;


	Reports from New Orleans, Montez Press Radio, 2020–2024
	
	A radio series hosted and produced by marta rodriguez maleck featuring conversations with New Orleans artists, culture workers, organizers, and storytellers. Episodes move through spirituality, archives, Mardi Gras, public memory, Latine identity in the South, and artistic responses to community need.
	&#60;img width="1576" height="1542" width_o="1576" height_o="1542" data-src="https://freight.cargo.site/t/original/i/0a07c1ea57f8ec18fbf0a99597e75f9c91f3cdce4e364acbee51dd4793a1ed9a/Screenshot-2026-06-09-at-7.17.01PM.png" data-mid="249298501" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0a07c1ea57f8ec18fbf0a99597e75f9c91f3cdce4e364acbee51dd4793a1ed9a/Screenshot-2026-06-09-at-7.17.01PM.png" /&#62;
	
	▷ Reports from New Orleans: Mirrors, Latine Visual Artists in the SouthGuests: Angel Perdomo, Karla Rosas, Sydney Calderon

	
	▷ The Spiritual &#38;amp; The AncestralGuests: Deja Jones, Xavier Juarez, Cristina Molina, Theodora Eliezer

	
	▷ Artists Respond to Community Needs During COVID Crisis
	Guests: free feral, Marion Hill, Fernando Lopez, Zibby Jahns, Meg Turner
	
	▷ Dapper Bruce Lafitte, Life and LessonsGuest: Dapper Bruce Lafitte

	
	▷ Uncovering Truths
	Guests: Jeffery Darensbourg, Nic Brierre Aziz, Gabrielle Garcia Steib

	
	▷ The Art of Mardi Gras and Communal Celebration
	Guests: Autumn Kassel, Lucia Honey, Ashley &#38;amp; Cherie Teamer, Nicola Piccola
	
	
	▷ Reports from New Orleans: Words, original readings by Southern writers
	Guests: Lucia Honey, Emma Campbell, Christian Lee
	

Home →


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	<item>
		<title>Homepage</title>
				
		<link>https://martarodriguezmaleck.com/Homepage</link>

		<pubDate>Tue, 16 Jun 2020 02:23:44 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/Homepage</guid>

		<description>
	marta rodriguez maleck
	about


			&#60;img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/7299a2c8ca790610f6bdd3f6790cd022a6acb1ba8ab4220b574294ef1c14fd12/Marta.Mehle.April2026-09.small.jpg" data-mid="249254045" border="0"  src="https://freight.cargo.site/w/1000/i/7299a2c8ca790610f6bdd3f6790cd022a6acb1ba8ab4220b574294ef1c14fd12/Marta.Mehle.April2026-09.small.jpg" /&#62;
			Lay Me Down Before Water Knocks at the Door, 2026
		

			&#60;img width="1350" height="1259" width_o="1350" height_o="1259" data-src="https://freight.cargo.site/t/original/i/3ad32cc7ff74897883ac01b447caf47ac2ee9a7a2dfbdae4192f835d830c9202/LasPozasOrchid.jpg" data-mid="249257823" border="0"  src="https://freight.cargo.site/w/1000/i/3ad32cc7ff74897883ac01b447caf47ac2ee9a7a2dfbdae4192f835d830c9202/LasPozasOrchid.jpg" /&#62;
			Hunting for Orchids, 2025
		

			&#60;img width="3003" height="4500" width_o="3003" height_o="4500" data-src="https://freight.cargo.site/t/original/i/b6472a6b5f20f20136ce481537a4478d68e9ac1d51cf63cd5d29a7fbc1f60c54/sigil-sculptures.jpg" data-mid="249258644" border="0"  src="https://freight.cargo.site/w/1000/i/b6472a6b5f20f20136ce481537a4478d68e9ac1d51cf63cd5d29a7fbc1f60c54/sigil-sculptures.jpg" /&#62;
			Sigils, 2023–2025
		

			&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/bd4133a76ba9a6da60b61e1dfce4eb9a26f213d1d28a683ce7f94b5cf2495c1b/IMG_7429.JPG" data-mid="249300260" border="0"  src="https://freight.cargo.site/w/1000/i/bd4133a76ba9a6da60b61e1dfce4eb9a26f213d1d28a683ce7f94b5cf2495c1b/IMG_7429.JPG" /&#62;
			Tools of Resistance, 2022
		

			&#60;img width="2416" height="1272" width_o="2416" height_o="1272" data-src="https://freight.cargo.site/t/original/i/a9d1d2fbc1da158430de87eb59fa092201361715bd2551e6cc4d7347493b9dec/3-lay-concrete.png" data-mid="249258116" border="0"  src="https://freight.cargo.site/w/1000/i/a9d1d2fbc1da158430de87eb59fa092201361715bd2551e6cc4d7347493b9dec/3-lay-concrete.png" /&#62;
			Underfoot, 2023
		

			&#60;img width="2100" height="1324" width_o="2100" height_o="1324" data-src="https://freight.cargo.site/t/original/i/0f637e2511d91fa2ac4efb7855720c8fa7325ed661e1a18c738f372870a32c2a/MoriresVivirConversations_NOMA_2021.jpeg" data-mid="249258646" border="0"  src="https://freight.cargo.site/w/1000/i/0f637e2511d91fa2ac4efb7855720c8fa7325ed661e1a18c738f372870a32c2a/MoriresVivirConversations_NOMA_2021.jpeg" /&#62;
			Morir es Vivir / Vivir es Morir, 2021–2022
		

			&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/b9d2880948817cd614e0030ba51148911b2ea7afb8f222c592dc42d4031b4738/19-ucla-copy.JPG" data-mid="249259011" border="0"  src="https://freight.cargo.site/w/1000/i/b9d2880948817cd614e0030ba51148911b2ea7afb8f222c592dc42d4031b4738/19-ucla-copy.JPG" /&#62;
			Radio, Documentary, Public Media, 2020–present
		

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	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://martarodriguezmaleck.com/About</link>

		<pubDate>Wed, 10 Jun 2026 05:01:36 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/About</guid>

		<description>marta rodriguez maleck is a New Orleans-based artist working across sculpture, performance, installation, filmmaking, and public media. Their work draws from Gulf South landscapes, queer and Latine memory, folklore, ecological loss, and collective survival. Through carved wood, metal, seeds, sound, moving image, and site-responsive actions, they build speculative objects and environments that move between grief, protection, desire, and repair.

rodriguez maleck received an MFA from the University of Pennsylvania and a BFA from the Rhode Island School of Design. Their work has received support from the Tribeca Film Institute, the Sachs Program for Arts Innovation, the New Orleans Jazz &#38;amp; Heritage Foundation, Red Bull Arts, the Joan Mitchell Foundation, and the Andy Warhol Foundation. They have participated i residencies including the Joan Mitchell Center, ACRE, Vermont Studio Center, and Futur Center for Contemporary Art in Prague. Their work has been exhibited and screened internationally, including at EFA Project Space in New York, and featured in The Guardian and The Criterion Channel. They also host “Reports from New Orleans” on Montez Press Radio.

cv available upon request&#38;nbsp;martarodriguezmaleck@gmail.com</description>
		
	</item>
		
		
	<item>
		<title>Contact</title>
				
		<link>https://martarodriguezmaleck.com/Contact</link>

		<pubDate>Wed, 10 Jun 2026 05:01:54 +0000</pubDate>

		<dc:creator>Marta Rodriguez Maleck</dc:creator>

		<guid isPermaLink="true">https://martarodriguezmaleck.com/Contact</guid>

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